A new arrival at the famed Schirn exhibition hall in Frankfurt examines the influence of hip-hop, a musical genre that started as a block party 50 years ago in the Bronx borough of New York and transformed into a global movement.
“The Culture: Hip Hop and Contemporary Art in the 21st Century” is a polyphonic experience of fashion, photography, sculpture, video, painting and more, as curator Andrea Purnell of the Saint Louis Art Museum describes it.
On display are more than 100 works by more than 80 artists. They range from an album cover by Rammellzee and K-Rob, with Jean-Michel Basquiat, to an Adidas track jacket designed by Pharrell Williams, to Kahlil Joseph’s “m.A.A.D.,” a two-channel video installation set to music by Kendrick Lamar.
“The Culture” was first shown last year at the Saint Louis Art Museum and at the Baltimore Museum of Art. Frankfurt, often called the German capital of hip-hop, is its only European stop.
Hip-hop fashion is one of the centerpieces of the exhibit, with clothes designed or inspired by artists like the late Virgil Abloh or Daniel “Dapper Dan” Day. As Purnell noted on the exhibit’s opening day, the track suit has become the symbol of hip-hop culture.
While the exhibit shows the influence of hip-hop on contemporary arts, one thing it does not do is give a timeline of the genre.
Most of the works, as the show’s title implies, are from this century. One thing missing, surprisingly, is actual hip-hop songs. There is some music in the video installations, but it lacks beats, rhymes and rap.
However, the creators of the music are prominent in the exhibition. Examples include a collection of Lil’ Kim’s wigs and a print of Cardi B. sitting on plastic crates with a frame of tea boxes.
Fahamu Pecou’s “Real Negus Don’t Die: Thug” shows a young man looking down at his T-shirt, which depicts murdered rap star Tupac Shakur. Superstars Beyonce and Jay-Z serenade each other in the video installation “4:44” by TNEG.
Although much has been said over the years about hip-hop’s misogyny, a substantial number of the exhibit artists are women. The first room displays large works by Megan Lewis, Nina Chanel Abney and Monica Ikegwu, whose “Open/Closed” is featured on the exhibit’s posters.
Other highlights are El Franco Lee II’ s painting “DJ Screw in Heaven”; Devan Shimoyama’s “Before the Storm,” a mobile-like work with Timberland shoes bedecked with rhinestones; and “Black Power,” a photo of a gold mouth grill by Hank Willis Thomas.
For a deeper look into the influence of hip-hop on contemporary art, the exhibit catalog with photos and essays is well worth the 45 euros at the Schirn shop. The exhibit runs until May 26.
Address: Schirn Kunsthalle, Roemerberg, Frankfurt
Hours: 10 a.m.-7 p.m. Tuesday and Friday to Sunday; 10 a.m.-10 p.m. Wednesday and Thursday.
Cost: Admission is 12 euros for adults, 10 euros for seniors and children 8 and up; free for children up to age 7. A family ticket for two adults and their children up to age 17 is 24 euros.
Information: https://www.schirn.de/en/. Here you can buy tickets online and see what other events connected to the exhibit are happening.