Unfortunately, these parallel storylines take all the oxygen away from the vast number of subplots, which consequently don’t get an awful lot of attention. Saoirse-Monica Jackson is criminally underused as harlot-with-a-heart-of-gold Bluebell, as is Mack, the resentful, vulnerable Rose, and there’s also the orphan boy Albie.
The Doll Factory on Paramount+ review: Dickens-lite fairytale fails to cast a spell
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